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- <text id=92TT1535>
- <title>
- July 06, 1992: Reviews:Cinema
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1992
- July 06, 1992 Pills for the Mind
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS, Page 72
- CINEMA
- The Girls Of Summer
- </hdr><body>
- <p>By RICHARD SCHICKEL
- </p>
- <p> TITLE: A LEAGUE OF THEIR OWN DIRECTOR: Penny Marshall
- WRITERS: Lowell Ganz and Babaloo Mandel
- </p>
- <p> THE BOTTOM LINE: A basebelle movie finds humor in a feminist
- footnote.
- </p>
- <p> When his star catcher threatens to quit the team,
- complaining that the game is too hard, manager Jimmy Dugan (Tom
- Hanks) snaps, "It's supposed to be hard. If it wasn't hard,
- everyone would do it. The hard is what makes it great."
- </p>
- <p> His words apply to movies as well as baseball. If the people
- responsible for A League of Their Own had tried just a little
- harder to avoid easy laughs and easy sentiment, they might have
- made something like a great movie. As it is, they have made a
- good movie, amiable and ingratiating.
- </p>
- <p> Ordinarily, that would not be a cause for complaint. But the
- fact is that they have an extraordinary subject, and you can't
- help wishing they had been completely up to it. For that
- reluctant catcher is a woman named Dottie Hinson (Geena Davis).
- She is the star of the Rockford Peaches, which belongs to the
- All-American Girls Professional Baseball League, an
- organization that remains one of the fascinating footnotes in
- the history of sports and feminism.
- </p>
- <p> Founded as a wartime improvisation in 1943, when the
- military had taken most of the male ballplayers and thereby
- virtually wiped out the minor leagues, the women's circuit
- managed to persist for 11 seasons. Its initial appeal was a
- combination of the freaky (Hey, Herb, you think maybe they chew
- tobacco too?) and the sexy (You should see them little skirts
- fly up when they slide!). But there were a lot of frustrated
- tomboys out there who loved the game and were good at it, and
- who were willing to brave male haw-hawing (and genteel feminine
- disapproval) in order to strut their skills.
- </p>
- <p> For most of the well-cast Peaches lineup (which includes
- Madonna as a sexually outre outfielder), playing in the league
- is pure pleasure, a larkish flight from hometown constraints.
- But Davis, an entrancing mixture of wariness, reserve and quiet
- gumption, finds something more in it, an authentic awareness of
- the ambiguity of the women's position -- they are being
- exploited, after all -- which requires a lifetime for her to
- resolve. That's good, and so is her abrasive relationship with a
- kid sister (Lori Petty), a pitcher on the team who resents her
- elder sibling's cool, dispassionate competence.
- </p>
- <p> Hanks plays an alcoholic former major leaguer who is given a
- last chance for redemption as the Peaches skipper. As a
- traditional male placed in a distinctly untraditional role, he
- is given a lot of bluster and vulgarity to play. Too much of
- it. It forces him away from the reality he's also trying gamely
- to find. The same could be said of the whole picture.
- Energetic, full of goodwill and good feelings, it never quite
- attains the graceful nonchalance and self-confidence with which
- finely tuned athletes -- and comedies -- move and enchant us.
- </p>
-
- </body></article>
- </text>
-
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